The Long and the Short Vowels
Leave a commentJune 22, 2022 by The Citron Review
by Gunilla Theander Kester
change the meaning of words
the long O in MOR becomes a cuddly
word for mom, while short vowels
as in MORRA onomatopoetic us
quickly outside to the growling
hedgehog mama whose eight
babies fell half a meter into the space
around our basement window.
Under curling blue wisteria
as poisonous as the blue moon
it calls, I kneel hoping for two long
vowels PÅ KNÄ since the short KNÄCKA
means to break something hard like a bone
or the shell of a walnut. My mother’s
walnut tree leans against the horizon
twice as tall as the house including our
chimney, SKORSTEN, which combines
short and long vowels, where the short
shores up a building and the long one
weighs it down like a boulder or anchor
not unlike any woman raising children
pulling them up and pushing them down
but I grab a garland branch of the blue
rain and scour out dirt and spider webs,
my hand a holy cup slowly reaching
with every vowel short or long
lifting the soft-quilled hoglets home.
Swedish-born Gunilla Theander Kester is an award-winning poet and the author of If I Were More Like Myself (The Writer’s Den, 2015). Her two poetry chapbooks: Mysteries I-XXIII (2011) and Time of Sand and Teeth (2009) were published by Finishing Line Press. She was co-editor with Gary Earl Ross of The Still Empty Chair: More Writings Inspired by Flight 3407 (2011) and The Empty Chair: Love and Loss in the Wake of Flight 3407 (2010). Dr. Kester has published many poems in Swedish anthologies and magazines, including Bonniers Litterära Magasin. She lives near Buffalo, NY where she teaches classical guitar.