Collateral Beauty

Leave a comment

December 21, 2017 by The Citron Review

by Jennifer Lang

 
When a fellow passenger offers to play musical seats so that a father can sit in my spot with his two little boys, I agree to move rather than endure the overnight flight from San Francisco to Tel Aviv next to sleepless, fidgety kids, rather than rant at the flight attendant in front of hundreds of strangers with whom I have to share the same oxygen for the next fourteen hours, rather than fall apart, which I sense imminent beneath my calm façade, for I’m barely upright after having kissed my seventy-nine-year-old mother goodbye in her rehab hospital bed, one week after I arrived, two weeks after surgery to repair the left side of her brain where unbidden blood seeped and gathered in the wrong place, wreaking so much havoc on her system that she endured four post-op episodes when she couldn’t utter more than two words and her right side went numb.

A neurologist diagnosed her with symptomatic epilepsy and doped her up with a medical cocktail: Keppra to prevent seizures; Dilantin, making her so woozy and unsteady that in the middle of the night, when she went to the bathroom and fell on her knees, nurses came running and doctors revoked her freedom-of-movement privilege and delayed her imminent release, so the next day, she told anyone within earshot—me, nurse, physical therapist, occupational therapist, speech therapist, neurologist, rehab doctor, social worker, technicians who wheeled her away for yet another CAT scan—I’m depressed, and, as if that weren’t bad enough, red, itchy welts erupted on her chin and chest, an allergic reaction to the drug, which the doctor immediately stopped; then Trileptal, which kept the seizures at bay; Benadryl to prevent the histamine from spreading and, as expected, brought on an intense, full-body fatigue, my mother drifting in and out of consciousness like a heroin addict, her eyes fluttering open, closed, open, closed, unable to hoist herself up, unable to swing her legs out of bed, unable to walk to the bathroom, belittling the now necessary walker, unable to wipe herself, resulting in a urinary tract infection, which made her delusional, and a diaper; antibiotics, anti-depressants, anti-this, anti-that.

Finally, on my last day, my mother’s body adjusting to the onslaught of pharmaceuticals, she was alert, lucid, able to track conversations, understanding that at 5:30 in the afternoon I had to leave, to catch my plane, to fly home, halfway across the world to my husband and kids, and I said to her, You’re going to be okay, because I needed to believe that too, and we exchanged I love you’s as she waved me out of the room and I trudged down the hall toward the elevator bank, passing the nurses’ station, where I paused to thank the on-duty one for taking such good care of my once feisty mother, who had declined so drastically, and the onyx-eyed woman smiled and told me not to worry, but I welled up anyhow and continued to the car, over the Bay Bridge, to the airport, through security, into the United lounge, onto the plane, toward the back, to sit at my window seat and keep to myself, my emotions like a vase about to hit the floor.

So when a foreign-tongued father assumes he can leave his male charges next to me and sit across the aisle, in the middle seat, I react, or maybe overreact, seconds away from screaming, crying, collapsing onto the industrial carpet, until a stranger—a man with pudgy cheeks and Elvis hair—intervenes, suggesting we three change places, insisting he can sleep anywhere, telling me everything will be okay.

I accept and, once seated, overcome by his kindness, I weep, my shoulders shaking, pent-up devastation releasing, and this stranger gently strokes my arm over and over and over and passes me tissues, compassionate, maternal, until the plane takes off into the San Francisco night sky, and me, spent, empty, alive, I catch my breath and whisper thank you.

 
Jennifer Lang’s flash has appeared in Miracle Monocle, The Tishman Review, Pithead Chapel, Gravel, Thread, and forthcoming in CHEAP POP. A Pushcart and Best American Essays nominee, she earned an MFA from Vermont College of Fine Arts and serves as Assistant Editor for Brevity. Originally from the San Francisco Bay Area, she now lives and writes near Tel Aviv, where she runs Israel Writers Studio. “Collateral Beauty” is excerpted from her memoir-in-progress.
 

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out /  Change )

Google photo

You are commenting using your Google account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s

Snow on brush in desert

IMAGE CREDIT: Jill Katherine Chmelko. Protest Road, Winter. 2019.

🍋Our Tenth Anniversary

 

    Cheers to ten years of celebrating the short form.

 

🍋 Instagram

DS Levy's Micro Fiction takes us to "Babyland" where nothing is as you might expect it. The Citron Review Winter Issue overflows with surprises! https://citronreview.com/2019/12/21/babyland/ DS Levy's chapbook of flash fiction, @a_binary_heart, was published by @flpbooks.
Congratulations to Citron's Online/Fiction Editor Jr Walsh for his recent publication in Nunum's Winter 2019 Volume 2, Issue 4! #flashfiction #fiction #briefliterature #amreading #SundayRead #jrwalsh #yourfavoriteactor
Can you talk with animals? "The Soldier on the Mountain" just might have to. Come hike this #flashfiction odyssey from @BlerianaMyftiu with us. https://citronreview.com/2019/12/21/the-soldier-on-the-mountain/ Bleriana Myftiu is from Tirana, Albania. She holds an MFA in Fiction from San Francisco State University and is a Fiction Reader for @atticusreview. Visit blerianamyftiu.com
Our first poem of 2020 comes from Richard Foerster in our New Winter Issue. https://citronreview.com/2019/12/21/first-poem/ #amreading #poetry Foerster’s eighth collection is Boy on a Doorstep: New and Selected Poems (Tiger Bark Press, 2019)
Pacific Northwest writer @savannahslonewriter reminds us of our new year's resolutions in "i want to start a podcast but." https://citronreview.com/2019/12/21/i-want-to-start-a-podcast-but/ Slone is the author of several books including the forthcoming An Exhalation of Dead Things (@clashbooks, 2021), Hearing the Underwater (@flpbooks, 2019) and This Body is My Own (@ghostcitypress, 2019)
Happy New Year to readers and contributors from @citronreview! Here's to 2020! Our Winter Issue is up at citronreview.com.

Enter your email address to follow us and receive notifications of new issues by email.

%d bloggers like this: