What of the Work?

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December 31, 2024 by The Citron Review

by Trish Hopkinson

The kitchen counter is cold, as stone
always is and lunch crumbs left
from preparing a single plate are easily swept
into the sink with my warm palm.
Every meal is made here, rarely savored
but made still, delivered to the tongue
as if to say, you must eat. Most nights,
vodka is poured too, its harsh sting
watered down with soda and lime
over ice. The stove’s nightlight pushes
into the dark to assist the lone moon
doing its best to slide between the blind slats.
Picasso said without great solitude no serious work
is possible. But is there greatness in all forms of solitude?
What of the work we once created while side-by-side?
I search for you in every creation—the gray
veins in white marble, distorted reflections
on stainless steel, the cool leather
of the opposing chair. Processed in reverse,
your absence exposed in negatives,
the light passing through where your form
once shaped the shine from the sun.

Trish Hopkinson is a poet and advocate for the literary arts. You can find her online at SelfishPoet.com. Her poetry has been published in several literary magazines and journals; and her most recent book A Godless Ascends was published by Lithic Press in March 2024. Hopkinson happily answers to labels such as atheist, feminist, and empty nester; and enjoys traveling, live music, and craft beer.

2 thoughts on “What of the Work?

  1. […] thanks to Citron Review for publishing my poem “What of the Work?” in their Winter 2024/2025 issue. I wrote this poem in honor of a dear friend whom I worked […]

  2. Stuart Anderson's avatar Stuart Anderson says:

    Thank you for writing this. It speaks directly to my own experience. The cold counter and mechanical mealtimes evoke a less happy solitude than Picasso’s. I especially resonate with the final imagery: I lost my wife to cancer a year ago, and still her absence is itself a presence.

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Lake George photograph by Stieglitz, 1896

Alfred Stieglitz. Meeting of Day and Night, Lake George, 1896. The Art Institute of Chicago